Roman Emperors

Heads That Shaped History

From Augustus to Hadrian – these busts tell more than stories of power. They are artistic witnesses of an era in which faces became symbols. Perfect for anyone who wants to display, teach, or collect history.

  • Replicas of significant imperial busts from antiquity
  • Authentically modeled after archaeological finds
  • Ideal for teaching, exhibitions, or collections
  • Expressive decoration with historical value

A piece of Rome – for spaces with history.

Römische Kaiserbüsten in warmem Licht auf Marmorsockeln im Museumsstil präsentiert | Der Römer Shop

In various sizes and materials, the Roman busts on the busts pages of the Roman Shop offer a wide selection of ancient heads. Decorative busts on polished black marble pedestals can grace your desk, living room or bookshelf in a way that replicas are usually only seen in museums.

Roman busts to decorate

The larger sculptures look particularly impressive on columns or pedestals. For lovers of antiquity, they are a stylish addition to any office, study or living room. In humanistic schools, the images of ancient ancestors can be placed impressively in the staircase or corridors of the educational institution. Be inspired by the sculptural ancient likenesses of the mighty Roman emperors, consuls and generals on the replica Roman busts pages of the Roman Shop!

About the Roman Busts

Roman busts are statues that depict only the head and torso of a person. In ancient times they were usually made of marble or bronze and were intended to enhance the prestige and honour of the person in question. The word bust comes from the French word "buste" and the Italian word "busto" and describes the upper part of the body or, in art, the replica of the human head. The ancient Greeks experimented with busts, but it was not until the Roman Empire that most busts were created.

Roman imperial busts

At the beginning of the imperial period, busts were made with only a small cut-out up to the collarbone. But as time went on, more and more of the upper part of the body was modelled, and the beginnings of the arms were added. In the beginning, the first emperors were always depicted very young and without beards in order to appear ageless. Only later did they become more realistic. The busts were meant to show the character of the person. Clues from the clothing were often used. If men wore a breastplate or a sword belt, they belonged to the military, as in the case of busts of the Emperor Tiberius. If they were also naked underneath, this emphasised their strength and bravery. Wreaths were also widely used. They were worn on the head as a sign of honour. The oak wreath was very popular in Roman antiquity. At first it was given to soldiers who had saved someone in war. But then the emperors claimed the honour for themselves.

Busts were "in", even with oak leaves of Jupiter, the father of the gods.

Emperor Augustus was very often depicted with a wreath of oak leaves, and later emperors were also given the wreath. It was intended to show the Senate's approval of the new emperor and probably also to symbolise world domination, as the oak tree is the symbol of Jupiter, the father of the gods. The busts of the Roman emperors were usually placed in public places, but they were also found in houses, in the Forum and in burial chambers. Above all, the busts of the emperors could be seen everywhere in the streets of Rome. From Roman busts it is possible to deduce what the person looked like and when he or she lived. In the case of the emperors, it is very easy to find out because their busts were distributed all over the country and their heads were also stamped on the coins of the time. It is also interesting to note that busts can also tell us about the fashions of the day in ancient Rome, as the hairstyles of the people depicted can also tell us a lot about them.

The Roman bust

You can discover Roman culture and lifestyle by looking at Roman busts. They are precious finds from ancient times. Recovered by archaeologists under difficult conditions or exhibited in museums in distant countries, the Roman bust tells a long story. Archaeological science attaches particular importance to the bust of the Emperor. It has been established that the making of portraits was an important form of representation in Roman antiquity. However, it has not yet been possible to find out what other function the bust had in society.

Whose face is on the bust?

Not every famous person in Roman antiquity was given the honour of having their own bust. Portraits were mainly made for members of the imperial family. In the Roman Empire, statues of honour were also erected in important places in large cities. The traditional production of busts developed around the year 30 BC, when the emperor Augustus reigned in Rome. It was during his reign that the first marble sculptures were created. They were three-dimensional, showing the head and upper part of the torso. They were made of white marble. It is said that the famous Carrara marble was quarried by the Romans as early as 50 BC. This marble was used by the Romans mainly for the construction of their prestigious buildings in the capital city of Rome. Examples of impressive Roman architecture include the Temple of Dioscuri in the Forum Romanum and the Forum of Augustus, both of which were built with this marble. Trajan's Column is also made of white Carrara marble. In order to preserve and pass on Roman history, replicas of the original busts are often made today. They bring a piece of Roman culture into your own home and offer a glimpse of the ancient world. Roman portraits have long since found their way into our homes as works of art or attractive decorations. Matched to the style of your home, you will find a true-to-life replica of the Roman emperor in your living room.

Valuable tradition

The face of the emperor and his family was not simply reproduced by the artist. The portrait was given the characteristics of an emperor and then the facial expressions were adapted accordingly. After all, the emperor could not be portrayed as a vivacious youth. He had to radiate the sovereignty of a ruler. Portraits of Roman emperors often show serious or introspective features. The people should respect the emperor. In honour, the portrait was often adorned with a crown of oak leaves. Emperor Augustus received this for saving the Roman people.

The Roman bust in your home

Roman portraits were on public display in ancient times. People wanted to see the emperor, if not in person, then at least visually. The portraits of the imperial family were displayed in the squares of the cities. The replicas of Emperor Augustus, Emperor Tiberius, Caesar or the general Gaius Julius Caesar are therefore not only suitable as decorative objects for the home. You can also place them in your garden or on your patio. Bring a piece of Roman history into your home with a valuable Roman bust!


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Archäologischer Park Carnuntum Austria

Young Roman friends can immerse themselves in the Roman past with numerous activities. Products from the Römer Shop are regularly and successfully used at this great event. Year after year, children of all ages can write on wax tablets and get to know real papyrus.

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Scriptorium Germany

The everyday equipment with glasses and ceramics is also really well made and has survived the hard life of a soldier well. In general, the range of products is truly sensational and offers unique products from the Roman era for many age groups and requirements, from hardcore legionnaires to little Roman fans of primary school age.

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Dominikaner Museum Rottweil -Germany
Satisfied customers

The Dominikanermuseum Rottweil presents in its department "Roman Rottweil - Arae Flaviae" the life in the only Roman city in Baden-Wuerttemberg. We have been a customer of Römershop for a long time for our own museum shop and are convinced of the high and, above all, consistently high quality of the products. The entire team is always looking forward to new products and our shop is an attraction for our visitors thanks to good replicas.

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Hallo, ich wollte nur kurz ein feedback zur Lieferung geben; Also der „Asklepios“ ist wirklich großartig. Authentische Replik, unschlagbarer Preis. Vielen Dank dafür. Verpackung war auch vorbildlich.
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Gemeinschaftsschule M. F. Mölln

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The lovingly and authentically designed products from the Römer-Shop have been accompanying me for years and even decades in the field of ancient representation. As a centurion in a Roman military unit until a few years ago, the stationery, from wax tablets to papyrus scrolls, was extremely helpful for high-quality appearances and presentations at museum festivals, in reenactment and in museum education work.

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Remo S. Schweiz

Salve Manuela, Im Anhang findest du den Lar und was ich aus ihm gemacht habe. Ich bin sehr zufrieden mit der Figur.
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Dr. Reinhard S. Deutschland

Sehr geehrtes Römer-Shop Team, wie immer:
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Torsten B. Deutschland

SALVE , Manuela und Andreas mit Team,
ich möchte meine Bewertung in Reimform darbringen:
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Papa Ralf & Sohn Germany

The card is easy to work with and the cardboard is sturdy enough for such projects. Perhaps small cast figures and horses on a plastic base would be a useful addition to the shop, rather than the cardboard pictures. My 12-year-old son had fun making something like that

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Centurio Zoltan Hungary

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Norbert H. Germany

Here is one of the results of your mosaic stones. The Beyenburg coat of arms, 70 x 70 cm.
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From the Forum to Eternity – The Faces of Power

Forum Romanum with statues and busts of Roman emperors in soft sunlight | Der Römer Shop

Politics in Stone – How Power Got Its Faces

In ancient Rome, the bust of an emperor did not simply stand on a pedestal – it was a political instrument. Every block of marble spoke of legitimacy and divine origin. Augustus had his likeness erected throughout the empire to spread the idea of a new “golden age.” His idealized face remained young, even when he was old. The portraits of the emperors were therefore not mere art, but part of imperial communication – an expression of order, power, and divine claim.

Yet behind the cold stone lived real people. Nero repeatedly had his busts altered to appear younger. Caracalla ordered that he be portrayed as angry to show strength. Thus, art became a stage for political self-presentation. The ancient workshops were far more than studios – they were communication centers of power, where politics, propaganda, and aesthetics merged into a unique symbiosis.

The Language of Marble – From Augustus to Aurelius

Later rulers such as Hadrian or Marcus Aurelius also redefined the image of the ruler through their portrayals. Hadrian was the first emperor to wear a beard – a stylistic break that signaled intellect and philosophy. Marcus Aurelius, in turn, showed in his busts a thoughtful ruler, far removed from the warrior ideal. Each of these busts was a political manifesto in stone, a symbol of the many faces of the Roman Empire – from the visionary Augustus to the wise Stoic. When one looks at a Roman emperor’s bust, one does not merely see a face – one gazes into history itself.

Roman Emperors – History in True Presence


Where books end, the experience begins: A lifelike bust of an emperor transforms dry theory into visible history. Teachers use it as teaching material, museums for conveying Roman art, collectors as the highlight of their display. Each piece represents living antiquity and genuine craftsmanship – inspired by original finds from Rome and its surroundings.

  • Handcrafted reproductions of significant imperial portraits
  • Historically accurate and of high educational value for museums
  • Ideal for teaching, exhibitions, and collections
  • High aesthetic and emotional value

Whether in the classroom or on the desk – these busts inspire respect and enthusiasm for the ancient world.

Museumspädagogin erklärt Schülern römische Kaiserbüsten im Ausstellungsraum | Der Römer Shop
Schüler zeichnen römische Büste im Kunstunterricht als Projekt zur Porträtstudie | Der Römer Shop

From Display Case to Experience – Creative Ideas for Classroom and Museum


Roman emperors tell history – they just need to be allowed to speak. With replicas of ancient busts, you can create workshops, theme days, or small exhibitions where students and visitors become researchers. Let young people take on roles: one speaks as Augustus, another as Hadrian or Nero – with prepared short texts presenting their political stance. This creates an ancient “live museum” that combines education and theater.

Museums can also use the busts to actively engage visitors. A “Faces of Power” quiz, audio stations with quotes, or QR codes linking to biographies create exciting learning moments with interaction. Whether in schools or exhibitions – these replicas become tools of dynamic education, making historical learning tangible, creative, and lasting.


Result: an interactive learning project that makes historical content visible and emotionally accessible.

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From Glauberg to Hollywood...

Our boundless passion for antiquity

We believe that history is not only to be found in books or museums, but that it is should be brought to life and experienced across all borders.

By offering Roman replicas and other antique products, we want to bring this bring this fascinating time to life and give people around the world the opportunity to put themselves themselves into it.

Our products help to ensure that history is not just a collection of facts but becomes an eventful and unforgettable adventure.

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About us and how it all began
Insta Romanum
Insta Romanum

Experience history visually –
Veni, vidi, click! I came, I saw, I followed.

Roman encyclopaedia
Roman encyclopaedia

Background information, tips and facts about ancient Rome. Ancient knowledge simply explained!

An empire worth exploring
An empire worth exploring

History, craft ideas and Roman knowledge in HD instead of wax tablets. Get the popcorn ready and put on your tunics!

Forum Romanum 2.0
Forum Romanum 2.0

Like, post, follow – just like the Romans in the Senate! Here, history isn't just told – it's shared.